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Familiarity with different literary styles in the works of Sadegh Chubak
Sadegh Chubak, one of the most prominent figures of contemporary Iranian fiction writing, with a powerful pen and unique style, presents a unique picture of the social realities and complex psyches of Iranian people. Chubek's works are a valuable treasure of different literary styles that are intertwined and have led to the creation of a rich and multi-layered world story. In this article, we will examine the main literary styles in Sadegh Chubak's works and by analyzing examples of his stories, we will gain a deeper understanding of the art of writing this enduring figure of Persian literature.
Realism is one of the main foundations of Chubak's style. His book accurately and delicately depicts the bitter and sweet realities of Iranian society. Poverty, ignorance, superstitions, cruelty and oppression are among the topics that Chubak deals with with a sharp and realistic look. In the story "The Last Light", he depicts the miserable life of the people in the south of Tehran, and in "Sang Saboor", he shows the mental and psychological wounds of the society with a frank and unvarnished language.
In some of his works, especially in the story "Entry Ke Lutish Morde Had", Chobek tends to the style of naturalism. In this story, by describing the physiological and behavioral details of the monkey, it seeks to show the effect of the environment and animal instincts on human behavior. Using naturalism, Chobek penetrates into the dark and hidden dimensions of human existence and presents a raw and unvarnished image of it.
Chubek uses symbols and metaphors in his works to express deeper and multi-layered concepts. In the story "The marquee", the marquee is a symbol of the absurd and meaningless human life, and the dolls are a symbol of people in society who are controlled by external forces. By using symbolism, Chubak gives depth and complexity to his works and invites the audience to reflect and interpret.
Humor is another important element in Chubak's works. He criticizes moral and social vices by using bitter and biting humor. In the story "The First Day of the Grave", he makes fun of mourning ceremonies and social hypocrisies with black humor. Using humor, Chubek not only makes the audience laugh, but also encourages him to think about the problems of society.
One of the distinctive features of Chubak's style is the use of unique and creative language. By breaking the traditional rules of language, he seeks to express reality in a new and effective way. Chubak uses local accents and dialects, slang terms, and detailed and sensory descriptions to create a dynamic and vivid language. This special language gives identity and character to Chubak's works and distinguishes them from other literary works.
Examples of literary styles in Chubak's works:
Realism in "Last Light": accurate and realistic description of the hard and exhausting life of poor people in the south of Tehran. Naturalism in "Entry that Lotish was Dead": the attention to the physiological and behavioral details of the monkey and the emphasis on animal instincts. Symbolism in "marquee": using marquee as a symbol of the absurd and meaningless human life. Humor in "The First Day of the Grave": Depicting the mourning ceremony with humorous and biting language. Unique language in "The Patient Stone": the use of local accents and dialects, slang terms, and sensory descriptions.
Conclusion:
Sadegh Chubak, by artistically using different literary styles, has created lasting and influential works in Persian literature. Realism, naturalism, symbolism, humor, and unique language are among the elements that add richness and depth to Chubek's works. By using these styles, Chubak not only presents a realistic picture of Iranian society, but also deals with different dimensions of the human soul. Chubak's works, with the passing of years, have still kept their freshness and freshness and are known as brilliant examples of contemporary Iranian fiction writing. Source: https://romanbook.ir/ |